William Blake: A Great Battlefield

For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park.

A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of re-birth. Following the tradition of nineteenth-century American history painting, Blake uses oil and linen to depict US Marines’ reenacting the 1922 Marine Corps at the Gettysburg battlefield.

After the First World War, the Marine Corps hosted summer exercises and reenactments at Civil War battlefields. The largest and most attended of these events was the 1922 Gettysburg event which consisted of an accurate (no tanks, planes..) reenactment of Pickett's Charge. In the summer of 2020, the United States Marine Corps Historical Company posed for this series of paintings. Blake collapses histories and myths into a contemplative look at our Battlefield.

Opening

September 9th, 2022



Dates

September 9 - October 1, 2022


“William Blake’s paintings in “A Great Battlefield” channel the spirit of Winslow Homer’s war imagery into our own contemporary world. Hardly imitations, and much more than echoes, Blake’s portrayals, muted and grave, prompt us to dwell on the long-ago war that has yet to release its hold on memory and imagination.”

-Sarah Burns

William Blake, Winslow Homer, and the Long Civil War

Trooper Meditating Beside a Grave | Winslow Homer | 1865

Blake with Marines at Gettysburg | Anthony Coplan | 2020

“It’s a hundred years after the reenactment, and I think it’s worth thinking about what that battlefield means to me today. Gettysburg has been used as a microcosm of the US since the battle… the whitewashing of the Blue and Gray reunions, the Civil Rights/Cold War battles during the centennial celebrations, militia groups on the lookout for Antifa, someone with a BLM t-shirt being escorted out of the National Cemetery. It’s all there for me. 

 I think that’s why I look to reenactment so much; it’s always changing even if it’s recursive. The battle didn’t change, just how we understand it.”

-William Blake

 

Exhibition Writings

  • Sarah Burns

    Sarah Burns (Ph.D., University of Illinois, Urbana-Champaign) is Professor Emeritus of Art History, Indiana University, Bloomington. Her publications include Inventing the Modern Artist: Art and Culture in Gilded Age America (1996), Painting the Dark Side: Art and the Gothic Imagination in Nineteenth-Century America (2004), and The Emphatically Queer Career of Artist Perkins Harnly and His Bohemian Friends (2021). She has also authored numerous essays and articles on American art and artists in journals and exhibition catalogues. She is always happiest when thinking and writing about anything pertaining to Winslow Homer, her number one, all-time great nineteenth-century American painter.

  • GySgt Thomas Williams

    GySgt Thomas Williams, a former U.S. Marine Corps Drill Instructor, Firefighter, and veteran of the Vietnam War and numerous Marine Corps deployments, has spent his life in military and public service, teaching, and historical education, contributing over fifty years of service and support to the Marine Corps and the American people. GySgt Williams is the Director of the United States Marine Corps Historical Company and has become one of the principal specialists in Marine Corps material culture. He has worked with such agencies as the National Park Service, the United States Marine Corps History and Museums Division, the United States Army Center of Military History, The United States Marine Corps Heritage Foundation, and numerous National Trust and State Park sites, as well as the film industry.

  • Jason Patterson

    Jason Patterson is an African American history based artist working in portraiture, the recreation of historical documents, and the designing and fabrication of stylized frames to house his work. Patterson lives and works in Chestertown on the Eastern Shore of Maryland, where he works with students at Washington College, advising art students as well as students within the college’s Starr Center for the Study of the American Experience. His current work is focused on the Black history of Maryland’s Eastern Shore, and has been supported by Chesapeake Heartland: An African American Humanities Project.

Accompanying the exhibition is a catalog with essays by Dr. Sarah Burns and GySgt Thomas Williams. It also includes an artist interview with Jason Patterson and William Blake. Pick up your copy at Gallery Victor Armendariz